Friday, April 16, 2010

The Arc de Triomphe getting a face-lift











Recently a grand clean-up project for the four pillar sculptures of the Arc de Triomphe was started. Four teams are working around the clock to clean and restore the four sculpture groups that are featured on the famous arch: "Le Départ des volontaires de 1792" (known as La Marseillaise and the most famous of the monument's reliefs), by François Rude; "Le Triomphe de Napoléon de 1810", by Jean-Pierre Cortot; and "La République ou la Résistance de 1814" and "La Paix de 1815", by Antoine Etex. They hope the cleaning will be complete in time for the commemorative events marking the anniversary of Charles de Gaulle's "appeal of June 18". Now we only have the scaffold to enjoy in our photos.

"Le Départ des volontaires de 1792" Blindfolded for the cleaning.

Monday, April 5, 2010

Cy Twombly ceiling at the Louvre


I knew that it was happening, but didn't pay attention to the room being closed for a few weeks over the winter months. Last week I found myself passing through the Louvre museum's "Bronze Room" to find the newly unveiled painted ceiling by the American artist Cy Twombly. This is a large, major work. (400 square meters) It is a fun addition for the museum. Though I'm never sure if the money paid for a modern work belongs at the Louvre. This winter there were strikes at the National Museum of Modern Art, the Pompidou Center. I'm sure that the Pompidou could use the financing this grand Twombly cost the state. This Cy Twombly work is titled "The Ceiling". The painting is a lovely deep blue with odd disk shapes and names of ancient Greek sculptors. (In the very next room there is a painted ceiling by the artist Georges Braque in the 1950s). There are two other recent contemporary works to be found in the Louvre. One by the French artist Francois Morellet is called "L'esprit d'escalier". This doesn't look like much in the stairway of the Louvre compared to the Twombly or to the work by German artist Anselm Kiefer. The Kiefer is a large installation sitting in the stairwell that links the Egyptian and the Mesopotamian antiquities at the museum. Check out the article in the New York Times about the Kiefer work.



Twombly said he was inspired by the blues of early Italian Renaissance artist Giotto, "I was just thinking of the blue with the disks on it, it's totally abstract... I put all the great Greek sculptors' names on the top. It's that simple."